There are certain rules when it comes to creating cinematic moving pictures. Shoot in 24 frames per second (or 23.98fps exactly). Record in widescreen formats, either 16:9 or 1.85:1 (anamorphic 2.35:1 looks really epic too). De-saturate and get some shallow depth of field shots.
I wanted to see what these rules would look like with a pocket camera as the recording device. Case subject: Sony HX9V. A pocket camera from last year with middle of the road reviews but regarded as a decent video shooter.
The biggest challenge was the small sensor. This meant making sure there was adequate light, as a lack of it would lead to noise reduction activation and a resulting super soft image. The other disadvantage of the small sensor, compared to the larger ones found in DSLRs, is the lack of shallow depth of field. Everything is focus, which has it’s advantages for sure. People definitely and defiantly overuse this effect. I’m guilty of it too. To overcome this I had to focus really close and use the camera’s good macro mode and to zoom in and switch focus locks.
Most of everything else was done on Final Cut Pro X. The HX9V records in 60 or 30 frames per second 1080p only but the 60p conforms nicely in FCPX to a 24p timeline. The added bonus is being able to slow mo any recorded scene smoothly since the editor has 60 frames to work with instead of 24 traditionally. I recorded in 16:9 but added some additional crops for a 1.85:1 ration. Finally I took saturation far down, the colors are actually quite nice on the camera, and added a slight vignette. Finally I added some slight orange, purple and teal.
Sony’s HX9V, and assume the replacement HX20V & HX30V, produces some sharp images that rival the GH2’s resolving power when there is sufficient light. There are two image stabilization modes that can be used together. One is optical, in the lens, and the other is software that when combined has a VERY smooth effect. Probably best I’ve used and similar to what a couple hundred dollar steady cam would achieve. The 16x zoom (20x on the newer HX20v) is pretty amazing as well as it effectively gives me a walk-around 24-385mm lens that fits in my pocket! Best of all you can probably find one used for a hundred bucks if you hunt around.
Sidenote: Stills suck, comparable to iPhone 4 photos.
So here are the results using a day of random shots:
See how this bite-sized camera stacks up against DSLRs 4-7 times the price.